MORE POSTS 
 

Star Wars oil painting exhibit "Sandstorm" opens

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Parents turn child's 1st birthday into extended Lucasfilm/Hasbro advert

Me reading from A Long Time Ago

Highlights and lowlights of the upcoming Star Wars Celebration VI

Grown men (mostly) dressed up as Lando Calrissian

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Blog's t-shirts banned by Zazzle

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Is Star Wars link bait?

Dissent not tolerated at the Prequel Appreciation Society

TSOT discovers its nemesis

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History of Star Wars as related by a bot

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Luke Skywalker and company on the Muppet Show

Yoda now shilling instant soup in Japan

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Star Wars underwear

Retro Star Wars decor in my son's bedroom

Phantom Menace 3D: Now With Plot

Star Wars and disco: the forgotten love affair

Will Muschamp: What a guy!

Oi, fanboy: grow up! A reply to Darren Franich

 

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Entries in shakespeare (3)

Saturday
Aug032013

[Review] William Shakespeare's Star Wars by Ian Doescher

In the afterword to William Shakespeare's Star Wars, Ian Doescher argues that there is a Shakespearean quality about Star Wars even without the author's additions of iambic pentameter and five-act structure to the tale. Doescher identifies Joseph Campbell's The Hero with a Thousand Faces as the link between Shakespeare and Lucas. The invocation of Campbell may seem platitudinous to uberfans, who have been hearing about the Joseph-George connection at least since Bill Moyer's 1987 PBS series The Power of Myth. But it remains an enlightening observation. Says Doescher, 

...Campbell studied Shakespeare to produce The Hero with a Thousand Faces, and Lucas studied Campbell to produce Star Wars. So it's not at all surprising that the Star Wars saga features archetypal characters and relationships similar to those found in Shakespearean drama. The complicated parent/child relationship of Darth Vader/Luke Skywalker (and the mentor/student relationship of Obi-Wan Kenobi/Luke Skywalker) recalls plays like Henry IV Parts 1 and 2, The Tempest, and Hamlet. Like Sith lords, many of Shakespeare's villains are easily identifiable and almost entirely evil, with notable badies including Iago (Othello), Edmund (King Lear), and Don John (Much Ado about Nothing). Still others, like Darth Vader, are more conflicted and complex in their malevolence: Hamlet's Claudius and the band of conspirators in Julius Caesar. Destiny and fate are key themes of Star Wars, as they are in Romeo and Juliet, A Midsummer Night's Dream, and Macbeth.

It is one thing to draw these connections in an academic way, but quite another to prove them. That is what Doescher does in his Shakespearean retelling of Star Wars. What is most striking about Doescher's book is how credible it is as a Shakespearean play. Much of this is down to Doescher's poetry, but mostly it is Doescher's insight that the grandeur, farce, pacing and excitement of a Shakespeare play are to be found in Lucas's original Star Wars film. 

Doescher's best passages are not only good imitations of Shakespeare but enjoyable in their own right. Vader's short soliloquy upon sensing Kenobi's presence on the Death Star is a fine example: 

[aside] Distract'd is my mind,
But through its cloudy haze the reason comes:
Unless I am in error, someone here
Has come. I have not felt this presence since
The days that are but dark in memory.
This presence I have known since I was young,
This presence that once call'd me closest friend,
This presence that hath all my hopes betrayed,
This presence that hath turn'd my day to night.
This awful presence present here must be,
So shall I to this presence violence
Present. 

Another instance of Doescher's feel for both Shakespeare and Star Wars is the typically Shakespearean exchange between two minor figures, in this case stormtroopers dubbed Guards 1 and 2, outside the Millenium Falcon shortly after its capture by the Death Star. The first guard persuades the second that rumours of rebels, droids and missing Death Star plans are but "A fig!" and that they need not fear. Satisfied, Guard 2 joins Guard 1 in responding to Han's duplicitous request, "Pray, may we have thy good assistance here?" The stage direction then delivers the punch line: "[Guards 1 and 2 enter ship and are killed. Exeunt others." My only quibble with this amusing and authentic passage is that it would have been eminently appropriate for Shakespearean prose--which, inexplicably, Doescher leaves out of his adaptation entirely.

Han Solo's famous "boring conversation" with an imperial officer after forcibly entering the Princess's detention block is another highlight, though the credit is surely due as much to Harrison Ford and George Lucas as to Ian Doescher: 

HAN   [To comlink:] O be not anxious, comrades, fear ye not!
The situation here hath been controll'd.
All merry 'tis in the detention block!

OFFICER 1   [Through comlink:] But what hath happen'd?

HAN   --'Tis no matter, Sir--
A slight malfunction of the weapons here.
But all is well, and we are well, and all
Within are well. The pris'ners, too, are well,
'Tis well, 'tis well. And thou? Art also well? 

These and many other passages show Doescher's wit, skill and love for both Shakespeare and Star Wars. Inevitably, perhaps, Doescher's rendering of Star Wars into Elizabethan English is not without some flaws. Luke's encouragement to Artoo during the Death Star trench run, "Hang thou on, good droid!" is, well, not convincing. Similarly, Doescher's abbreviation Millenn'um Falcon--admittedly not a phrase easily reconciled with iambic pentameter--does not come (in Hamlet's words) trippingly on the tongue. But false notes such as these are rare, and they did not disturb my enjoyment of the play. On the whole, Doescher's retelling of Star Wars in Shakespearean form is admirably accomplished, surprisingly exciting and just plain fun. 

Given the book's well-deserved commercial success to date, The Empire Striketh Back and The Jedi Doth Return are inevitable. Whether those two films will lend themselves as well to the Shakespeare treatment is, to my mind, less certain. The original Star Wars strikes me as the most Shakespearean of Lucas's films. Still, I have confidence in Doescher and look forward to his next outing.

Will Doescher then turn his attention to the hated prequels? He certainly could not make them any worse. The parallels between Episodes 1-3 and such disputed Shakespeare plays as The Two Noble Kinsmen and Pericles, Prince of Tyre are there. The experiences of watching a prequel and reading a disputed Shakespeare play are similar. In both the viewer/reader finds herself asking, "Did Lucas/Shakespeare really write this?" But as brave as Ian Doescher clearly is, I can't imagine him volunteering for the impossible task of turning The Phantom Menace into art. 

Amazon: William Shakespeare's Star Wars by Ian Doescher 

Saturday
Jun292013

William Shakespeare's Star Wars surprises, despite the trailer

This post was supposed to tell you all how rotten the "book trailer" for William Shakespeare's Star Wars is. But two things got in the way. First, the trailer can't be embedded yet, being exclusive to Entertainment Weekly for the moment. So if you want to decide for yourself whether it's as bad as I say, you'll have to follow the link below. 

But the bigger reason for my getting off the topic of this disappointing trailer is that I came across a sample from the book itself on Scribd and started reading it. Much to my surprise, it's really quite good.

If you've read A Long Time Ago you'll know that I spent a lot of time reading Shakespeare in university. I don't claim any expertise, but I'm certainly a fan. That's probably why I expected to be disappointed by this book. I can readily imagine how badly this could be done. 

I'll reserve judgment until reading the book as a whole, but the excerpt above is encouraging. I had absolutely no intention of reading this until now. My scepticism is perhaps not entirely gone, but it has now been largely displaced by curiosity. I think I'll give this book a try.

I especially enjoyed Vader's brief soliloquy after murdering the rebel trooper who refused to tell him the location of the Death Star plans: 

And so another dies by my own hand,
 This hand, which now encas’d in  blackness is.
O that the fingers of this wretched hand
Had not the pain of suff’ring ever known.
But now my path is join’d unto the dark,
And wicked men—whose hands and fingers move
To crush their foes—are now my company.
So shall my fingers ever undertake
To do more evil, aye, and this—my hand—
Shall do the Emp’ror’s bidding evermore.
And thus we see how fingers presage death
And hands become the instruments of Fate.
[Exit Darth Vader.

Pleasantly surprising. So don't let the awkward trailer put you off. William Shakespeare's Star Wars is actually rather promising.

Entertainment Weekly: Watch the book trailer for "William Shakespeare's Star Wars: Verily, A New Hope"

Quirk Books: William Shakespeare's Star Wars

Friday
Apr202012

Star Wars by William Shakespeare

Darth ShakespeareSlactory brings us The War of the Starres, by William Shakespeare:

ACT 4. INTERIOR. DEATH STAR. CELL BLOCK.

An explosion. The Imperial Troops enter the room.

Han: Chewie! Avaunt!

Chewbecca: Gronk.

Luke and Leia rush into the room.

Han: [Aside] Ah, my heart swoons! A princess of such surpassing beauty; beauty as I have never known! But I must not betray my thoughts. The Lady Leia must not know of my secret desire.

They battle the Stormtroopers. During the gun fight, Han blasts the door leading to the exit.

Han: The way is blocked! We cannot exit!

Leia: Foolish wretch! Thou hast cut off our one escape route!

Han: I bite my thumb at thee, lady.

Leia: Dost thou! You are most impudent. Resume your rightful place, foul mercenary. Remember: I hold sway here now; you serve at my command.

Han: Nonetheless, I bite my thumb at thee.

Leia: O vile insult!

Unfortunately it's all prose, no verse, and the parody includes an Act VI (suggesting the parodist is not much of a Shakespeare fan--Shakespeare's plays were always in five acts), but it's still amusing. Follow the link for more.

See also the Official Star Wars Blog which, three years ago, gathered together a collection of Shakespeare-style Star Wars tweets. My favourites: "The first thing we do, let's kill all the Jedi", "Out, out damn Ewok" and, inevitably, "Tis a trap!".

Slacktory: Star Wars, As Written by William Shakespeare

The Official Star Wars Blog: Star Wars Meets Shakespeare