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Stephen Quinn interviews me about Star Wars on CBC Vancouver

Star Wars: modern myth or global franchise?

Parents turn child's 1st birthday into extended Lucasfilm/Hasbro advert

Me reading from A Long Time Ago

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Grown men (mostly) dressed up as Lando Calrissian

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Dissent not tolerated at the Prequel Appreciation Society

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Comme des idiots: Star Wars teams up with poncy fashion house

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Luke Skywalker and company on the Muppet Show

Yoda now shilling instant soup in Japan

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Entries in cold war (1)

Friday
Aug162013

How Star Wars got American kids back into war

Mother Jones has a long excerpt from a new book by Tom Engelhardt called The End of Victory Culture. Engelhardt argues that Star Wars reawakened young Americans' interest in war after the disaster of Vietnam. From the piece:

Now that Darth Vader's breathy techno-voice is a staple of our culture, it's hard to remember how empty was the particular sector of space Star Wars blasted into. The very day the Paris Peace Accords were signed in 1973, Richard Nixon also signed a decree ending the draft. It was an admission of the obvious: war, American-style, had lost its hold on young minds. As an activity, it was now to be officially turned over to the poor and nonwhite.

Those in a position to produce movies, TV shows, comics, novels, or memoirs about Vietnam were convinced that Americans felt badly enough without such reminders. It was simpler to consider the war film and war toy casualties of Vietnam than to create cultural products with the wrong heroes, victims, and villains. In Star Wars, Lucas successfully challenged this view, decontaminating war of its recent history through a series of inspired cinematic decisions that rescued crucial material from the wreckage of Vietnam.

To start with, he embraced the storylessness of the period, creating his own self-enclosed universe in deepest space and in an amorphous movie past, "a long time ago in a galaxy far, far away." Beginning with "Episode IV" of a projected nonology, he offered only the flimsiest of historical frameworks—an era of civil war, an evil empire, rebels, an ultimate weapon, a struggle for freedom.

Mobilizing a new world of special effects and computer graphics, he then made the high-tech weaponry of the recent war exotic, bloodless, and sleekly unrecognizable. At the same time, he uncoupled the audience from a legacy of massacre and atrocity. The blond, young Luke Skywalker is barely introduced before his adoptive family—high-tech peasants on an obscure planet—suffers its own My Lai. Imperial storm troopers led by Darth Vader descend upon their homestead and turn it into a smoking ruin (thus returning fire to its rightful owners). Luke—and the audience—can now set off on an anti-imperial venture as the victimized, not as victimizers. Others in space will torture, maim, and destroy. Others will put "us" in high-tech tiger cages; and our revenge, whatever it may be, will be justified.

Follow the link for more, or go to Amazon and order the book.

Mother Jones: How Star Wars Saved American Triumphalism

Amazon: The End of Victory Culture: Cold War America and the Disillusioning of a Generation